Three of my images are included in issue #112 of F-Stop Magazine, Amusement 2022.
too much stress!
Much delayed, I've made my book, darkness & light - a collection of 109 of my 366 days self-portraits - available again on Blurb.
A friend of mine who missed buying it when it was first available asked me about it. I don't even know how long ago now. On the back of that, I've finally made it available for a while again.
How long it will be available is yet to be seen. But if you didn't snap up a copy (or didn't know about it) back in 2008, now is your chance to be one of a limited number of folk to have your sweaty palms on a copy.
Because it's print on demand, signed copies are complicated but not impossible, if you want that. Email me at propaganda@bronwenhyde.com if this takes your fancy, and we can work out the logistics.
This is an outtake from the project I edited tonight, almost 14 years later.
The final image for the project for this day was a diptych entitled peeping tom, inspired by the 1960 Michael Powell film of the same name. It was a brilliantly creepy film, so well made, and tapped into my love of photography and psychological thrillers/horrors.
black river
One of my photographs taken on Mersea Island last year (cropped to square)
is in issue 1 of black river journal.
The first issue garnered submissions from over 200 photographers and is well worth a browse.
after the deluge and a boatman's call
Well behind schedule, I thought I’d let you know two of my collages from this year’s The 100 Day Project were included in issue #101, open theme, of F-Stop Magazine.
The selection of images in issue #101 is well worth perusing.
animalia
Two of my images are included in issue #94 of F-Stop Magazine, Animals.
fading light
After a really long and tiring day, I arrived home tonight to find the latest issue of Shots Magazine, #142: Fading Light, had arrived.
And, lo and behold! My self-portrait where the light plays, taken during my residency at Hospitalfield in 2011, has been published as the main spread!
[Apologies for the terrible quality of the photograph of the spread in the magazine. The magazine is much better quality and you should subscribe to it for all the wonderful work they include each issue.]
alternative portrait at night
Four of my images from the series ‘i’m not here’ are included in issue #93 of F-Stop Magazine, Alternative Portrait.
Belatedly, one of my images was also included in issue #92 of F-Stop Magazine, At Night.
on the road
Four of my images are included in issue #66 of F-Stop Magazine, On the Road.
table talk
Two of my images have been included in issue #65 of F-Stop Magazine, open theme.
the natural world
Two of my images have been included in issue #64 of F-Stop Magazine, The Natural World.
black & white
I have two images in issue #62 of F-Stop Magazine - black and white.
As always, some fantastic work in this issue.
animals & self-images & other things
I'm just catching up on a few publications I think I've been a bit lax in telling folk about, though two are very recent:
One of my images was included in the very first issue of 5x5 Magazine, with the theme of 'Self-images'. I highly recommend picking up a copy of the magazine in print, as the quality is beautiful. It took a bit longer to get into my sweaty palms than expected, but was well worth the wait! Not to mention that the cover story is about the stunning work of Sarah R. Bloom, and Susan J. Knight's work features in a piece entitled 'Inspired by Art', along with her interview about The Hive Hub & Arts Incubation Site in Medicine Hat, Alberta, Canada.
In addition to those two lovely artists, the magazine includes work by Elle Moss, Brooke Shaden, Marico Fayre, Megan Horsburgh, Michelle McRae, Sarah Ann Wright, Sarah Mercer, Emma Newson, Jennifer Leigh Evans, Jill Evans, Libby Livermore, Elle Hanley, (and that's just the artists I was previously acquainted with the work of!)
The ladies behind the magazine, Nicole Harlow and Jet Clark, are also awesome!
I also have one image in issue #52 of F-Stop Magazine. As usual there is such a feast for the eyes in the latest issue, and I still need to peruse the collection properly, but work from Julie Kozerski's series 'Half' immediately drew me in.
And I have an image in the latest Lenscratch online exhibition, Animals. Sort of relieved I wasn't the only one who submitted an image of an ex-animal...
golden afternoon
twohundredby200 have just released their second issue of the re-launched twohundredby200 magazine.
I'm featured in the magazine, along with Brian Copeland from Graphic Clinic, and Nightmare Mikey.
Go check it out!