[I originally posted this entry as early access for my Patreon patrons on 15 December 2023].
fly agaric
of red bows and holly
[I originally posted this entry as early access for my Patreon patrons on 7 December 2023].
uplifting angels
[I originally posted this entry as early access for my Patreon patrons on 10 July 2023].
crucifixion
[I originally posted this entry as early access for my Patreon patrons on 7 April 2023].
On a rainy day in late September 2021, I was returning from a few days away in West Sussex with my friend and fellow photographer, Phil.
That day, I was scheduled to return to finish my first cat-sitting with the kittehs I'm currently sitting.
Shiloh is nestled in my lap as I type this, despite my semi-regularly lifting her off my lap to go to the fridge or the bathroom during the past few hours of photo editing. When I do that, she gives me a Marge Simpson-like sound of disapproval.
I had an off-peak return ticket to London from Chichester, which meant I could take any train on any permitted route to get back to London within a month of the original booking.
Arundel was on the route back, so we drove there and wandered through the drizzle. Visiting a bookstore. Visiting Arundel Cathedral and the nearby St Nicholas' Church and its churchyard. And having food in a local cafe before Phil dropped me at the station for the next train.
Coincidentally, the train I had planned to be on was cancelled. But I digress.
In the churchyard of St Nicholas' Church, we experienced drizzle, rain, the beautiful after-rain sunlight and the saturated hues post-rain brings to stonemasonry, plant life and... well, everything.
In the churchyard, we also found this elaborate crucifixion scene.
At the time, I presumed it was a monument for someone with a lot of money. Perhaps with a name in the local community.
But, in retrospect, I presume it was installed by the church. Though I can't find anything online to confirm or deny that.
Since I took these photos, I've been keen to share them, but I knew I had to share them as a series, not as individual photographs. And, obviously, Easter is a timely point to share them.
I didn't capture a long shot showing all the participants in this act of mourning together. But, from the individual photographs and the photographs of Christ and the two women, I'm sure you get a sense of the scene.
I presume (with my limited atheist knowledge) the two women closest to Christ are his mother, Mary, and Mary Magdalene. A quick Google search tells me the man is unlikely to have been Christ's father, Joseph.
Earlier today, I tried calibrating the monitor I'm working on, but I'm unsure how successful I've been. Hopefully, successful enough that I don't have to redo the edits on these photographs over the coming days.
Happy Easter to those who celebrate it.
death in reserve
[I originally posted this entry as early access for my Patreon patrons on 26 March 2023].
As with many of my friends and lovers, my parents reached a point where they not only accommodated my obsession with visiting and photographing cemeteries, graveyards, churchyards and other final resting places. But they facilitated it.
Sometimes I wonder if it was because they felt they owed me for all the times my brothers and I were left to our own devices in winery car parks in our childhood and teens. While they tasted and purchased wine, muscat and/or port, whether on a day out or on a road trip.
I spent most of those times reading the books I was absorbed by, and I came to enjoy wine in my early 20s. My brothers didn't. Maybe they "owed" my brothers more than me.
Sometimes, it was because the cemetery was near where they or their relatives lived at some point.
I vaguely remember Mum mentioning that one of her relatives was buried in Peachester Cemetery. Dad confirmed it was one of her cousins.
Whatever the initial reasoning, my parents seemed to find them interesting the more they lurked in them with me.
And with Crohamhurst Ecological Reserve on its borders, Peachester Cemetery was one of the more scenic cemeteries I've photographed, although the graves were simple.
now he's gone aloft
[I originally posted this entry as early access for my Patreon patrons on 19 February 2023].
cape marguerite
[I originally posted this entry as early access for my Patreon patrons on 17 February 2023].
Some Dimorphotheca ecklonis I captured in St Kilda Cemetery on the first day of Spring in 2007.
untitled #117 [st kilda cemetery, st kilda, victoria, australia, 2007]
And some beautiful monarch butterflies hanging out amongst them.
I took these photos after going to my old GP practice for a check-up because of some odd sensations I'd been experiencing.
That appointment resulted in me having blood tests that revealed I had vitamin D deficiency and B12 anaemia for the first time.
Good times...
life's a short summer, man a flower
[I originally posted this entry as early access for my Patreon patrons on 1 January 2023].
The final stanza of Samuel Johnson's poem about Winter (with some tweaks), inscribed on a headstone in Arbroath Abbey that I captured in April 2011.
The original quote reads:
Catch the, O! catch the transient hour,
Improve each moment as it flies;
Life's a short Summer - man a flower,
He dies - alas! how soon he dies!
Though the quote on Wikiquote varies from the above and attributes it to a poem with a different name and only cites the final stanza.
I don't have a copy of the original poem to be 100% sure which is correct, but I'm okay with artistic license on headstones.
of fruits and flowers
[I originally posted this entry as early access for my Patreon patrons on 9 December 2022].
bedford burials
between the bars
[I originally posted this entry as early access for my Patreon patrons on 6 November 2022].
coronary
[I originally posted this entry as early access for my Patreon patrons on 2 October 2022].
side by side in death
[I originally posted this entry as early access for my Patreon patrons on 6 September 2022].
bunny
[I originally posted this entry as early access for my Patreon patrons on 22 August 2022].
amber treasures
[I originally posted this entry as early access for my Patreon patrons on 19 August 2022].
The last of my Gazania photographs from St Kilda Cemetery from my visit in 2007.
suffer little children
[I originally posted this entry as early access for my Patreon patrons on 7 August 2022].
death in the afternoon
[I originally posted this entry as early access for my Patreon patrons on 6 August 2022].
Yesterday afternoon, scrolling through my feed on Facebook, I saw some artwork by a fellow photographic artist I follow, Rebecca Tolk, and was intrigued by it. Especially when she mentioned the work was created using artificial intelligence.
Although the work looked amazing, my initial thinking was similar to what I soon found out was Rebecca's initial question: "How is this her art?"
Wanting to understand more, I watched the replay of a Facebook Live video she made. Rebecca explains how she sees this tool fitting into her practice and how she has seen others use it in their practice.
If you have the time, it's well worth a watch to understand the 'why', and it gives a sense of how I could potentially see it fitting into my practice too.
For example:
To create elements for inclusion in mixed media artworks without having to go out and photograph each of them (especially if they're not easily accessible for me).
To create elements for my digital collages.
To inspire and draft out ideas for photographs or collages.
To storyboard potential short films I'd like to make, especially to give a sense of mood and atmosphere. This would be particularly helpful as my illustration skills are still quite rudimentary.
And, obviously, there's the option to use it in the most straightforward way to create art in and of itself. Though I think I would have to become more familiar with how it works and how to "work it" to consider it more "my artwork" than the AI's.
So, I took some time yesterday afternoon to experiment with a free trial of Midjourney AI to see what I thought.
As Rebecca points out in her video, your free trial images and variations don't take long to exhaust. And working in a massive group chat with so many other people can be overwhelming. Though also inspiring to see what other people are using as prompts and how they are using Midjourney.
It can be hard to track your results, and I'm not entirely sure I found all my variations as I was still learning to use the tools. If I decide to sign up for a limited subscription, I believe you get your own workspace. That will make it easier and cleaner to focus on what I'm doing and learn more about how to use it.
But these are two variations from the prompt 'death in the afternoon' that I created yesterday afternoon.
The first image was actually my second option and variation, but it was the one I liked more. The branch coming out of nowhere is the sort of thing I would edit out as it's obviously a bit of a glitch in the AI. In the preview, it looked like it might be the blade of a sickle.
The third image shows (from left to right):
The initial selection of four AI-rendered images Midjourney presented me with, of which I selected the top left.
The variations it created from that image when I triggered it, of which I selected the bottom right.
An alternative set of four AI-rendered images Midjourney presented when I requested a redo. I didn't get to work with these as I didn't see them initially, and I used up the rest of my free trial working on two other prompts.
I definitely don't see AI art replacing my existing practice. But I can see how it might enhance my work and/or be another tool or medium for me to create art.
I'll share the other two images I created yesterday later in the day, but I'd be curious to know your thoughts.
edward-howard howard-gibbon
[I originally posted this entry as early access for my Patreon patrons on 10 July 2022].
The final resting place of a Norroy King of Arms.
death and roses
[I originally posted this entry as early access for my Patreon patrons on 8 July 2022].